Perhaps one of the less known facts about the Pre-Raphaelite artist Dante Gabriel Rossetti is that he kept wombats in his garden at Cheyne Walk, London, to whom he and Christina addressed poetry (he also kept zebu - a type of cattle). This is just one of the stories in this entertaining book, which brings together two great British pastimes: animal husbandry and the garden. Taking the reader on a journey from the armadillos owned by merchants in the City of London in the eighteenth century and nourished on garden earthworms, to Queen Charlotte's zebra, which was accommodated close to her house at Buckingham Gate and renowned for its nicotine-fuelled filthy temper, here are quirky tales of animals in the garden through the centuries.

From the early misfortunes of Eve, condemning her descendants to a dubious reputation for fruit management, to the acclaimed successes of plant breeders such as the eccentric Ellen Willmott who combined bankruptcy with iris breeding, the fortunes of the female gardener have been as varied as their roles. From the sixteenth-century housewife, who neatly sidestepped accusations of herbal witchcraft while working her plot, to the unconventional Ladies of Llangollen, who eloped together and created their gothic garden, A History of Women in the Garden showcases the female hortaculturists through the centuries. It is an enjoyable, enlightening and entertaining read, and one that will allow the reader to gain fresh enthusiasm for even the most menial of garden tasks, realising that hundreds of women have trod the garden path before.

Produced by the Ministry of Agriculture, the "Allotment and Garden Guides" were issued monthly throughout 1945. Aimed at the amateur gardener, they were to be the final rallying call in the wartime campaign to Dig for Victory. Concentrating on the productive garden, the guides were designed to take the amateur gardener through the basic tasks of each month. Many of the subjects tackled are as relevant now as they were then. How to make a compost heap, when to sow marrow seed, which seeds are they easiest to save, are still popular topics in the modern gardening media. However, other subjects convey the war-time difficulties: seed shortages due to enemy occupation in Europe, regulations on flower growing, and the very real prospect of running out of food next winter. Packed with additional photographs and illustrations, Twigs Way gives an historical overview to gardening during the Second world war and comments on each month of the guide. Many people still work allotment or vegetable plots that were first established during the war years, 'inheriting' them from a generation that used these guides as their gardening bibles. To read the Guides now is to experience a sense of both the urgency of the war-time garden, and the timelessness of the processes of gardening.

Almost eighty years after her death, Gertrude Jekyll (1843-1932) is still one of the most influential of all English garden designers. Best known for the superb use of colour schemes in her hallmark flower borders, she combined an early training in art with self-taught horticultural skills. Early influences included William Morris, John Ruskin and William Robinson, but it is her partnership with the architect Edwin Lutyens that produced some of the most distinctive of Edwardian houses and gardens. From her house (and nursery) at Munstead Wood, Surrey, Jekyll designed over 400 gardens across Britain and Europe, and some in America where her archive of designs and drawings is now held. This book explores her life, influences on her early work in art and crafts, the transfer to Munstead Wood and working relationship with Edwin Lutyens, as well as her own writings and achievements.

Allotments are a much-loved part of every British city, town and many villages. At the height of their popularity around the Second World War, allotments were increasingly neglected towards the end of the twentieth century, but are now in the throes of a full-scale revival. Many allotments now have long waiting lists, and allotment keeping has become a fashionable hobby. This book explores the fascinating story of the allotment, from its roots in the Diggers of the seventeenth century to the influence of 'food miles' and GM. It includes insights into quirky rules and regulations, murder and looting, and even art and opera on the allotment. Drawing on archival and contemporary material, this richly illustrated book considers both the history and the future of the not-so-humble allotment. This book is part of the Britain's Heritage series, which provides definitive introductions to the riches of Britain's past, and is the perfect way to get acquainted with allotments in all their variety.

England is a nation of gardeners and most of us garden in suburbia. A private paradise encompassed by privet, the suburban garden contains in its small compass the hopes and dreams of millions of gardeners past and present. From Victorian shrubberies to the 1980s 'Good Life', these small plots reveal the ever-changing aspirations and realities of the suburban dweller. Lauded by estate agents and satirised in literature, suburban plots are scattered with seating, sundials, goldfish ponds, and that most divisive of features: the overgrown hedge. With one foot in the country and one in the town, suburban garden style wavers from rural retreat to urban chic, decorative to productive, floral to formal. At its heart it is defined by its location and its size. Neglected by history, and sometimes in reality, this book celebrates the gardens that make up the green patchwork of suburbia. This book is part of the Britain's Heritage series, which provides definitive introductions to the riches of Britain's past, and is the perfect way to get acquainted with Suburban Gardens in all their variety.

Hollyhocks and cabbages, roses and runner beans: the English cottage garden combined beauty and utility, pride and productivity. But what was the reality of the space immortalised in images of thatched cottages with floral borders and ducks on the path? For many the garden was crucial in keeping food on the table, for many simply a status symbol and blaze of colour; and gardens did not just appeal to the senses, but played a philosophical and moral role in society, and thus in our social history. Visions of the rural cottager were never far from the mind of the Victorian middle classes, whether as a shining example to the indigent urban poor or as an aesthetic and social ideal of a utopian 'merrie England'. The Cottage Garden is the history of this varied and important phenomenon and its myriad concepts and incarnations.

From reading the title you may be wondering what imparkment' means. It is actually the conversion of land into parks, either by the owners of manorial estates or the church. Way's survey is mainly focused on the environmental effects and changes in the landscape that imparkment' brought about, though he does discuss social conflict that it caused. The bulk of the book consists of tables detailing documents relating to parks, a gazeteer of parks in Cambridgeshire and Huntingdonshire and maps, both ancient and modern.

Perhaps one of the less known facts about the Pre-Raphaelite artist Dante Gabriel Rossetti is that he kept wombats in his garden at Cheyne Walk, London, to whom he and Christina addressed poetry (he also kept zebu - a type of cattle). This is just one of the stories in this entertaining book, which brings together two of the Englishman's great loves: animals and the garden. Taking the reader on a journey from the armadillos owned by merchants in the City of London in the 18th century and nourished on garden earthworms, to Queen Charlotte's zebra, which was accommodated close to her house at Buckingham Gate and renowned for its filthy temper - perhaps caused by nicotine addiction: it was fed on bread, meat and tobacco - here are quirky tales of animals in the garden through the centuries.

Drawing its allure from the gold of the sun and the rule of emperors, the chrysanthemum winds its way through ancient Chinese culture into the gardens of French Impressionist painters and onto the pages of American novels. The flower signifies both life and death, as parts of Europe associate it with mourning while others celebrate it for its golden rays that light the autumnal gloom. In this fascinating book, Twigs Way follows the fortunes of the flower through philosophy, art, literature and death, recounting the stories of the men and women who became captivated by it. With a range of vibrant illustrations, including works by Hiroshige, Monet and Mondrian, it will appeal to lovers of art, flowers, history and culture.